I’ve been reading the many pieces remembering actor Philip Seymour Hoffman, who was found dead at the age of 46 of an apparent drug overdose on Sunday morning. Everyone is praising him for his memorable performances in movies such as “Capote” (for which he won an Oscar in 2006), “Moneyball,” “Magnolia,” “Boogie Nights,” and “The Master.” Some writers are even pointing out that many of his best performances were in really bad movies, like “Patch Adams” and “Along Came Polly.”
But no one seems to be recalling his title role in the award-winning 2009 Australian clay animation film, “Mary & Max.” Hoffman voiced Max (full name: Max Jerry Horowitz), a lonely, obese middle-aged Jewish man with Asperger Syndrome living in 1970s New York. He was raised Orthodox, but is now an atheist. He continues to wear his yarmulke, but only because it keeps his brain warm. Max has a penchant for chocolate hotdogs (his own recipe), playing the lottery and the Noblets, characters in an animated television show.
Max becomes pen pals with a little girl in Australia named Mary, who has troubles of her own. She, too, loves the Noblets and chocolate. The film, expertly done in all respects, chronicles the ups and downs of Mary and Max’s relationship over the years, as Mary grows older and Max grows fatter. It’s a brutally honest film, and it makes me cry every time I watch it.