Standing naked on a Tel Aviv beach, Sigalit Landau spins a hula-hoop around her waist. But instead of plastic, the hoop is made of barbed wire — and lacerates Landau’s belly throughout the minute-long performance.
The mesmerizing video piece, “Barbed Hula” (2000), is one of six video works in a new retrospective of Landau’s work that opened at Toronto’s Koffler Centre of the Arts on February 6. Canada’s largest city marks the starting point for a show that will continue to Moscow, Johannesburg, Beer-Sheva, Rome, Gdansk, and Tronso, Norway.
‘Moving to Stand Still’ marks the first solo show in Canada for Landau, a bona fide art-world star who’s twice represented Israel in the Venice Biennale. “We don’t often show existing work, or do surveys of one artist’s work,” said Mona Filip, director and curator of the Koffler. “But Landau’s doing vital work that expresses critical thinking from an artist dealing with issues of her time. And she’s considered one of the most representative contemporary artists in Israel.”