This will definitely be composer Jason Robert Brown’s year.
A musical version of Robert James Waller’s “The Bridges of Madison County” (music, lyrics and orchestration by Jason Robert Brown) opens February 20 on Broadway.
“Honeymoon in Vegas” (music, lyrics, dance and vocal orchestration by Jason Robert Brown), which received rapturous reviews during its debut at the Paper Mill Theater in New Jersey, opens on Broadway in the fall.
The film version of his innovative off-Broadway play, “The Last Five Years” (book, music and lyrics by Jason…you get the picture) will be in theaters later this year.
All this on top of the Tony he won (best original music score) for “Parade,” about the Leo Frank trial and “13,” his Broadway follow-up, about a young bar mitzvah-age boy transplanted from New York to the Midwest after his parents divorce.
I first saw Jason perform almost 20 years ago at a small suburban theater not far from Monsey, NY, where he grew up. I wish I could say I purposely sought out the show. Actually, his show was — to my way of thinking — just thrown in as part of a subscription to the plays I really wanted to see. But it wasn’t very long before he blew away with a musical review, “Songs for a New World.”
After that I followed him almost everywhere, walking that fine line between sycophant and stalker. I saw “The Last Five Years,” the story of his first marriage. I sat across the aisle from him at a preview performance of “Parade.” (For the record, that was a coincidence.)
At “13,” the PR folks gave out CDs of the score with the press kit and I rushed to him to get it autographed. He told me I was the first.
Finally, at the Paper Mill, I saw him in the lobby, reminded him of our past and begged him for an interview. He said three magic words I’ll never forget: “See the publicist.”
Well it wasn’t “no.” So here we are, a few weeks before Madison County is slated to open, and Jason is on the phone.
Curt Schleier: When did you realize you’re a genius?