Photographing graceful male dancers in New York may seem a long way from taking pictures of gruff IDF soldiers in Israel. But for 27-year-old lensman Nir Arieli, the progression makes perfect sense. “I always had an agenda to find that gentleness and sensitivity hidden in the soldiers I photographed,” he says, “which is something I do in my current work.” For his new project, “Inframen,” on view at Daniel Cooney Fine Arts in Chelsea through March 8, Arieli used an infrared technique that emphasizes imperfections like scars, stretch marks, and sun damage on dancers; the effect’s beautiful and a bit spectral.
Born in Tel Aviv, Arieli served as a photographer for Bamachane, the official magazine of the Israeli army; after emigrating, he earned a BFA at the School of Visual Arts in New York. His career’s steamrolled since then, with clients including the Juilliard School, the Alvin Ailey school, and his alma mater, The School of Visual Arts, among others.
Michael Kaminer: You launched your career as military photographer for the IDF magazine Bamachane. How did that experience influence your work now?