Culture

Filming His Refusenik Father’s Doppelganger

Writer/director Arie Posin is standing in the lobby of the Paley Center for Media in midtown Manhattan, not far from the red carpet and a dozen or so photographers. Everyone is waiting for Annette Bening and Ed Harris. The two star in Posin’s “The Face of Love” and have come to New York for a post-screening Q&A with media, friends, family and anyone else who can score a ticket.

“The Face of Love” is the kind of small, independent film that, in the face of competition from Superman and Batman, frequently escapes media attention. But Posin doesn’t escape our fascination.

His parents were refusniks lucky enough to get out of Russia and make it to Israel, where Posin was born. Then there was his uncle, Leon Lerman, the famed Russian Yiddish poet. Moreover, his grandmother is seven generations removed from the Baal Shem Tov. On top of all that, the idea for his movie came from his own mother.

“A few years after my father passed away my mother was at a crosswalk outside the Los Angeles County Museum of Art when she looked up and saw a man who looked very much like him. She told me: ‘A very funny thing happened to me today. I saw a man walking toward me who was a perfect double for your father.’ I asked her, ‘What did you do?’ She said, ‘I just stopped in the middle of the road. He had a big smile on his face as he walked toward me and it just felt so nice.’”

That encounter became the basis for Posin’s film, which opened in New York and Los Angeles March 7 and opens in additional cities in the coming weeks.

Posin spoke to the Forward about how that incident sparked his imagination, his family history and, most important, his mother’s reaction to the film.

Curt Schleier: What was your reaction when your mother told you that story?

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Filming His Refusenik Father’s Doppelganger

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