Two films screening at this year’s Tribeca Film Festival show subtle and nuanced perspectives on Israeli life from a woman’s point of view.
Talya Lavie’s first feature, “Zero Motivation,” screening April 17 – 24, focuses on a unit of female Israeli soldiers at a desert-based human resource center awash in hierarchy, bureaucracy and pointless tasks. Tedium is the defining gestalt as they serve coffee, shred paper, and re-organize closets to fill time. Between chores they play computer games, sometimes with each other, often alone. The girls are isolated and, paradoxically, deeply interconnected. Friendships evolve and disintegrate in the face of betrayal, disappointment and thwarted ambition.
Despite its bleak backdrop the film’s signature is its good humor and light touch. Thanks to fine performances and, especially, Lavie’s subtle script and self-assured direction “Zero Motivation” is a fascinating look at a rarely explored subculture. This movie is both a character-driven work and a briskly paced entertainment.
The film is structured around three different girls and is divided into three sections, “The Substitute,” “The Virgin” and “The Commodore,” with one part flowing into the next and each informing the other two.