Lisa Jura was a talented teenage pianist who dreamed of one day performing the Grieg piano concerto with the Vienna Philharmonic at the famed Musikverein. It was a lofty ambition, to be sure, but she had the talent and will to make it happen.
Unfortunately, it was 1938 and her life and the lives of all of Austria’s Jews were about to be turned upside down. Her story is told in “The Pianist of Willesden Lane,” a powerful, emotional drama that runs through August 24 at the 59E59 Theaters in Manhattan.
The play is especially fascinating because not only is the story true, but it is told by her daughter, Mona Golabek, an extremely talented pianist in her own right. Golabek plays her mother and all of the show’s other characters. The play is based on a book, “The Children of Willesden Lane,” written by Golabek and Lee Cohen.
To a very sad degree, the narrative is familiar. The Jura family lived a comfortable middle class existence. Lisa’s dad had a successful tailor shop. Lisa herself went every Friday for piano lessons, until the Anschluss.
Lisa’s father, Mona’s grandfather, secured one pass on the Kindertransport. Perhaps because she was so talented, Lisa — and not one of her two sisters — was awarded the prize.
At the train station before leaving for England, Lisa’s mother tells her: “Never stop playing and hold on to your music.”