Writing of Kafka’s tales, Walter Benjamin pointed out that Kafka’s tangled meanings “do not modestly lie at the feet of the doctrine, as the Haggadah lies at the feet of Halakah… they raise a mighty paw against it.” Benjamin, ultimately, juxtaposed the Jewish law (halachah) with mythic storytelling (aggadah), envisioning the rise of the latter from the downfall of the former. One can only imagine how pleased Benjamin would be reading Alexander Nemser’s poetry collection “The Sacrifice of Abraham,” released earlier this month from Bookieman.
It is hard to name a genre that would encompass Nemser’s work: these are prose poems with an aphoristic scent, reminiscent of Borges, Kafka, Calvino and Jabes, among others. Each prose poem imagines an aggadah-like talmudic conversation between rabbis, who are struggling to interpret the Akeida, that is, the story of the binding of Isaac. Though framed in traditional Jewish rhetoric, Nemser’s tales are surreal, disturbing, funny, smart and anything but pious. The prominence of the transgressive element of Nemser’s writing is in perfect accord with his spiritual vision and concern for Judaism’s formative and perhaps most inexplicable myth.
“The rabbis floated down the river in an ark containing two copies of each dream their masters had dreamt on the story of Abraham and Isaac,” opens one of the tales. Another starts with: “A group of rabbis gathered at the wedding feast as fiddles and trumpets played faster and faster, until they spiraled into delirium, and guests spilled dark wine across the lace tablecloths. The cantor began chanting the story of Abraham and Isaac.” Both openers set a stage for the speakers to create their interpretations in altered, visionary states, through dream and delirium.