More than almost any other event, it was the trial of Adolf Eichmann that, in 1961, brought the Holocaust into the public consciousness of the world. In both Europe and Israel, the trial marked the beginning of the end of a period, immediately after the Second World War, when the Holocaust was deliberately ignored and forgotten. The cause of the change: the medium of television.
A new 90-minute BBC drama, “The Eichmann Show” — which aired in the United Kingdom January 20 as part of a season of programming to mark the 70th anniversary of the liberation of Auschwitz — captures the making of the Eichmann Trial as a television spectacle. It was an American producer, Milton Fruchtman (played by Martin Freeman), who persuaded David Ben-Gurion that “only television can show the world what Eichmann did,” and that the trial of Eichmann would be “the most important television event in history.”
Fruchtman hired Leo Hurwitz (Anthony LaPaglia), who was blacklisted in the United States during the McCarthy period, to direct his show. “The Eichmann Show” homes in on Hurwitz’s singular obsession with Eichmann, what the camera could do to inspect him, and his failure to get the much-desired close-up of him showing even a scintilla of regret. “Come on, do something!” Hurwitz bellows, as Eichmann watches stony-faced images of trucks plowing piles of skeletal corpses into mass graves. His face barely even twitches.