Shanir Blumenkranz’s extensive contribution to the world of radical Jewish music can only be compared to Robbie Shakespeare’s formative influence on reggae. Blumenkranz plays on numerous projects issued by the Tzadik label — so many of them, in fact, that his recognizable style of bass playing is virtually inseparable from the sound has come to define so many of Tzadik’s Radical Jewish Music projects, including Pharaoh’s Daughter, Pitom, Edom, Rashanim and Kef, among others. He has closely collaborated with label’s producer, John Zorn.
So it is particularly exciting to see Blumenkranz in the role of band leader. With guitarists Eyal Maoz and Aram Bajakian, as well as Kenny Grohowski on drums, Blumenkranz has released “Abraxas: Book of Angels 19,” a set of compositions penned by Zorn. Exchanging his usual electric bass for gimbri — an acoustic African instrument with three strings made of goat skin — Blumenkranz propels his ensemble with raw and intricate rhythms.
In contrast with the previous “Book of Angels” rendition by David Krakauer — a darkly whimsical, phantasmagoric record defined by its androgynous plasticity — Blumenkranz’s album is an all-male, three-guitar-and-drums, no-nonsense affair. Most of the tunes apply a jazz approach to the hard rocking, heavy metal sound. Many tracks are danceable, and yet the impulse towards rocking out goes hand in hand with abstraction, a collision of textures and colors.
Unlike their pudgy, cherubic, church-tending counterparts, in Jewish mythology angels are not what you’d call angelic. Ominous and conflicted, with a penchant for irony and obscure turns of phrase, they are messages from the personal and collective subconscious for us to wrestle with. These angels create the parameters of our formative and deformative moments. Perhaps it is in such a context that one might understand “The Book of Angels,” a collection of scores penned by avant-garde composer and saxophonist John Zorn. A number of musical groups have tackled these compositions; the latest encounter is David Krakauer’s “Pruflas: The Book of Angels Vol. 18,” released on Tzadik Records earlier this year.
David Krakauer is among the world’s foremost klezmer clarinetists. He has worked with diverse collaborators, from the neo-classical Kronos Quartet to legendary funk trombonist Fred Wesley. What he brings to this date, in addition to a virtuosic treatment of the score, is the ability to extract from his clarinet sounds one indeed associates with dark corners of the subconscious.
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