Former French screen goddess Brigitte Bardot on Friday threatened to follow Gerard Depardieu in asking for a Russian passport, in protest not at tax hikes, but at the treatment of two circus elephants.
The animals, named Baby and Nepal and owned by a touring circus, are thought to be carrying tuberculosis and were ordered to be put down by a court in Lyon, southern France, on Friday as a precautionary measure.
Bardot’s threat comes a day after fellow actor Depardieu caused a storm in France by becoming a Russian citizen in protest at high tax rates proposed by the Socialist government, which he accuses of penalising success.
“If those in power are cowardly and impudent enough to kill the elephants… then I have decided I will ask for Russian nationality to get out of this country which has become nothing more than an animal cemetery,” Bardot said in a statement.
Owners Cirque Pinder also said on Friday they would appeal to save the elephants, which first tested positive for tuberculosis in 2010 but have since been kept in a zoo in Lyon away from the general public.
Courtesy of Music Box Films
In a remarkable feat for a man who was not considered good looking, Serge Gainsbourg was celebrated as much for his loves as for his art. He began life in Paris as Lucien Ginsburg, the son of Jewish refugees from the 1917 Russian Revolution. Like his parents, he survived the Holocaust in hiding.
The artful and fast-paced French biopic, “Gainsbourg: A Heroic Life,” starring Eric Elmosnino, depicts Gainsbourg’s success as a pop musician and his romantic liaisons with the movie superstar Brigitte Bardot and other women. He was married four times, including to the English actress and singer, Jane Birkin, who is the mother of the best known of his four children, the actress and singer Charlotte Gainsbourg. It is a bizarre curiosity that his last wife — an actress, singer and model known by the stage name of Bambou — is the granddaughter of Friedrich Paulus, the German field marshal who surrendered at Stalingrad.
Austin Ratner‘s first book, “The Jump Artist,” is the winner of the 2011 Sami Rohr Prize for Jewish Literature. His blog posts are being featured this week on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog series. For more information on the series, please visit:
When I learned about Philippe Halsman’s life-story and determined I would write a novel about him (“The Jump Artist,” 2011 winner of the Rohr Prize for Jewish Literature), I was struck by the contradictions he embodied. Here was a man whom history had ensnared in a frightful way — at the age of 22, he was falsely accused of murdering his father in anti-Semitic western Austria, and he served two years in prison, where he attempted suicide and almost died of tuberculosis. At the same time, here was a man who re-emerged in New York in the 1940s as a photographer — one whose work expressed the playfulness and optimism of post-war life in America on the covers of Life magazine. Halsman himself was by all accounts a secular Jew, but his story and his work are as Jewish as a Hillel sandwich, and represent almost as neatly the opposite poles of pain and joy that define the Jewish historical experience.
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