Posts Tagged: Eitan Kensky Results 23
This is the way the story goes in the alternate timeline: “Paper Heart” (2009), the arch and quirky romantic comedy written by and starring Charlene Yi, became the next “Juno” (2007) and earned all the money at the box office. Audiences burst in anticipation for “Youth in Revolt” (2009) and swooned over its male lead’s newly revealed depth and maturity. Edgar Wright’s “Scott Pilgrim vs. the World” (2010) was a smash hit. It launched a series of sequels while, paradoxically, also inspiring Hollywood to abandon sequels and superhero adaptations. In came a new era where Hollywood took risks on unknown properties and produced scripts that barely even whispered “blockbuster.”
I had the idea to compare Bravo’s “Princesses: Long Island,” the Jewish-tinged reality show about aspiring Real Housewives, to Amy Schumer, the Long Island-born stand-up comic and star of Comedy Central’s “Inside Amy Schumer.” The idea was to talk about how misguided these Princesses were, and about how depressing it is that their goal in life is to marry a banker, lawyer, or doctor — it doesn’t really matter which, so long as he can afford to pay for days and days of shopping at the Americana.
“Blazing Saddles” is generally regarded as Mel Brooks’s best movie: It was ranked sixth on the American Film Institute’s list of the 100 greatest American comedies and it was nominated for three Academy Awards. “Best,” though, is a relative term. Brooks’s Borscht Belt-meets-absurdism style is so unique and so indelible that what we call the “best” is usually the first of his movies we fell in love with.
Sometimes it seems as if only Daniel Mendelsohn and the New York Review of Books can criticize AMC’s “Mad Men.” Only someone like Mendelsohn, whose work is devoted to mythic themes and to the eternal, can look past the crisp elegance of Don Draper’s pocket square and the show’s captivating visual style. Only someone like Mendelsohn can see its aesthetics as fantasy, a dream of living in a time when drinking and smoking were encouraged, when people would cheer you on for sleeping with your secretary, (when offices had secretaries), when men wore hats, and uniformed elevator men led you gracefully to your floor. And it could only run in a journal like the New York Review, a journal that started during the New York printers’ strike of 1962-1963, an event that would have transpired sometime during “Mad Men’s” third season. Only a publication designed to be academic and comprehensive, someplace that wouldn’t even review “Mad Men” until the end of Season Four, can look past the immediate joys of watching the show.
1. “It’s a terrible set, not a terrible room.”
There’s something strange about Joan River’s Internet talk show, “In Bed with Joan.” Maybe it’s strange that the show exists, or maybe it’s strange how seriously Joan takes the web series — that she earnestly seems to believe it will lead to a new period of fame and critical acceptance. As if we aren’t already living in that new period, and that “In Bed with Joan” is only possible because she’s back on top as a comic legend, even a national treasure. Or maybe it’s just the wallpaper and duvet.