Any music-lover in the New York area should run, not walk, to Carnegie Hall on December 10. Why? Only the New York premiere of one of the most influential and iconic compositions of the late 20th century: “Requiem” by holocaust survivor György Ligeti, scored for soprano, mezzo-soprano, double chorus and large orchestra.
Ligeti was unquestionably one of the greatest composers of the past century, the best known Hungarian composer since Bartók, and this is one of his most famous major works. The music is, simply put, astonishing.
Ligeti’s “Requiem” became known world-wide when excerpts were used (without the composer’s approval) as part of the soundtrack of Stanley Kubrick’s classic futuristic film “2001: A Space Odyssey.” One of the most moving performances of last season was the playing of those excerpts by Alan Gilbert and the New York Philharmonic as they accompanied the showing of the Kubrick film live. But they left the honor of the much-belated New York premiere of the complete 1965 composition to the American Symphony Orchestra and the Bard Festival Chorale, directed respectively by Leon Botstein and James Bagwell.