“Scandalous,” the new Broadway musical about evangelist Aimee Semple McPherson, was written by Kathie Lee Gifford. No surprise there. Gifford is a well-known born-again Christian with, presumably, an interest in the work of a crusading missionary.
But in a fit of ecumenical irony (or common sense), the two guys she picked to supply the bouncy, gospel-infused music are two Davids, Pomeranz and Friedman, who are singers, composers and Jews who grew up in the New York City area.
Both Pomeranz and Friedman had worked individually on projects with Gifford, but they never worked together until 2005, when Gifford asked them to collaborate on the play, then called “Saving Aimee.” They spoke to The Arty Semite about growing up, why their work on the show isn’t really surprising, and why so much of the American songbook was composed by Jews.
Curt Schleier: What are two Jewish guys doing on this musical? Do either of you feel any Jewish guilt?
David Pomeranz: Not in the slightest, because what we’re talking about in this play is a great woman. None of us are writing a religious play. It’s about a fascinating life, a brave woman who followed her personal private relationship with God, did what was the right thing to do and ran into her own personal problems. Any great person has that dichotomy. They are inspired to do something great and the khazeray in their minds gives them a rough time. That’s what this story is about, a fascinating look into a very complex woman.
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