‘Isn’t it rich’ — Sondheim, Buñuel, and the discreet charm of the bourgeois audience they couldn’t live without
Stephen Sondheim's final musical, 'Here We Are,' tackles two of the great surrealist films of the 20th century
Stephen Sondheim's final musical, 'Here We Are,' tackles two of the great surrealist films of the 20th century
A conversation with DT Max, the author of 'Finale: Late Conversations With Stephen Sondheim'
My first tattoo, summer of 2010: Woodstock (not the festival, the little yellow bird from the Peanuts) sitting on a unicorn, both characters wishing on a star. It reflects the childlike innocence I hope to maintain. After I got it, I began to understand why people always say they “crave” ink: By the middle of…
George Gershwin was insecure. He never showed it at high-society parties, where he could always be found perched at the nearest piano like a king on his throne. (He played incessantly. Once, when Gershwin wondered aloud if his music would be performed in 100 years, his friend Oscar Levant quipped, “It will be if you’re…
שמעון נויבערג דערקלערט דעם חילוק צווישן אַלט־ייִדיש און מיטל־ייִדיש און די ביכער, שרײַבערס, לייענערס און דרוקערײַען פֿון יענער תּקופֿה