By Sarah Wildman
Poet Rachel Tzvia Back palpates the edges and depths of grief and mourning. The text in her latest book of verse, ‘A Messenger Comes,’ is unflinching and raw.
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By Erik Tarloff
Michael Feinstein’s ‘The Gershwins and Me,’ is a sustained act of homage to the legendary composers. Unfortunately, that doesn’t make it a great book.
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By Jami Attenberg
Jami Attenberg wanted to investigate why she’s so interested in food (which plays a big role in her novel, ‘The Middlesteins’). So she called her father to find out.
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By Andrea Palatnik
‘The Wine of Solitude’ is the most autobiographical novel from Irene Némirovsky, who died in Auschwitz in 1942. It confirms her place in the pantheon of Jewish writers.
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By Jennifer Gilmore
A.M. Homes calls her new work a ‘midlife coming-of-age novel,’ which makes ‘May We Be Forgiven’ sound sweet or langorous. In truth, it’s neither.
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By Erika Dreifus
Unlike Hans Keilson’s bestsellers, ‘Life Goes On’ is not grounded in the crises and moral dilemmas posed by the Nazis’ reign. It takes on the period of economic decline that preceded it.
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By Susan Isaacs
Susan Isaacs came from an assimilated family that had a Christmas tree. The author explains how coming to faith late in life informs her approach to Jewish fiction.
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By Amy Klein
Has any Jewish teenager in recent American literature felt as much antipathy toward attending Hebrew school as Sanskrit Aaron Zuckerman?
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By Joshua Furst
After a Holocaust memoir was revealed as a fraud, Benjamin Stein wove a fictional tale of a literary hoax that takes on the sentimental link between Jewish identity and the shoah.
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By Benjamin Ivry
Decades after mountaineer Maurice Herzog chronicled his Alpine exploits, he was accused of embellishing the truth. Now, his daughter has written a novel based on her family history.
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