Stranger to Stranger
Paul Simon Image by Getty Images
Paul Simon has intimated that “Stranger to Stranger” will be his last album (“I am going to see what happens if I let go,” he told The New York Times) — but wow does he ever go out on a high note. The first two cuts get stuck in your head – “The Werewolf,” an eerily prescient forecast of our present doom (“the grinners with money-colored eyes eat all the nuggets then they order extra fries”) and “Wristband,” an infectious upbeat ode to jive. But the rhythmic variety and verbal play of the songs that follow make this Simon’s most memorable album since “Graceland.”
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.
In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.
At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.
Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
Only 300 more gifts needed by April 30
