Welcome to Throwback Thursday, a weekly photo feature in which we sift 116 years of Forward history to find snapshots of women’s lives.
I never seriously considered becoming Orthodox. I like shrimp too much and Florida is way too hot for wigs. But I was tempted twenty years ago by one phone conversation. The Orthodox woman who coordinated the chevra kadisha (burial society) I participated in was calling to request my assistance at a taharah, ritual preparation of a body. Obviously, these events cannot be scheduled in advance. Often, frantic calls such as this one are placed to recruit volunteers at the last minute.
There is a rumor going around that Orthodox feminists are just Conservative Jews in disguise, or perhaps in denial.
The controversial and potentially life-threatening practice of metzitzah b’peh, the oral suctioning of a baby’s circumcision wound by the mohel, is back in the news. As the controversy continues to brew in the secular media, and as Bill de Blasio takes his time coming up with an approach that is “much more effective at protecting the lives of our children,” Hasidic babies the world over are subjected to this dangerous practice each and every day.
Jill Soloway, who has written and produced shows like “Six Feet Under,” “United States of Tara” and, her directorial debut, the movie “Afternoon Delight,” isn’t afraid to get a little Jewy and a little feminist in her latest work. She goes there, straight there, and for this, we love her.