What do you get when you combine Brody’s wife from “Homeland,” that guy from “Game of Thrones,” Minnie Driver in some kind of linen robe and the writers from the “Sisterhood of the Traveling Pants”? Lifetime’s adaptation of “The Red Tent,”, a two part-miniseries set to air December 7 and 8.
Anita Diamant’s best-selling novel from 1997 tells the story of Jacob and Leah’s daughter Dinah, who only gets one sentence in the Bible (SPOILER ALERT: There was no rape of Dinah. It was actually all a big misunderstanding. Oops). Most of the action takes place in the eponymous red tent, where the women of Jacob’s tribe tap into their inner Sascha Fierce and dance to “All the Single Ladies” — or some Bible time version of that.
The trailer promises a lot: blood, sex, sandals — there’s something for everyone. But much like the trailer for “Exodus,” starring a very spray-tanned Christian Bale as Moses, I am left with one question: Why are these people all white?
Jacob, Leah, Rivka, Rachel — all nomadic desert folk. Joseph (as in technicolor dream coat) spends decades in Egypt all while retaining a pretty milky skin-tone. Once again, we seem to be in for the trope that white = good, while dark = shady and suspicious (I’m looking at you Simon and Levi).
In any case, the two-night event promises to be fun for those of us who enjoy watching talented actors slumming it on TV. Just because you star in a Oscar-winning movie or Emmy-nominated show, doesn’t mean you don’t have bills to pay.
1) Morena Baccarin as Rachel
Jessica Brody has moved on to better things. At least this guy isn’t a confused sometimes-terrorist who’s in love with a CIA agent.
In 2009, writer Glenn Kurtz was sifting through a closet in his parent’s Florida home when he discovered a reel of 16mm Kodachrome color film in a musty cardboard box that had belonged to his grandparents, David and Liza Kurtz.
As prosperous Jewish American tourists, the Kurtz’s decided to take a six-week summer vacation through Europe in July 1938. With three friends they visited several European countries where they stayed in five star hotels, shopped, strolled and explored landmarks and art galleries. Traveling across France, Belgium, Switzerland, England and passing through Germany, they made a side trip to Poland, where David’s family originated.
Like many travelers, the Kurtz’s brought along their film camera but used it for only a fraction—in this case a scant 14 minutes—of the trip. The couple recorded scenes of their ocean crossing on the Nieuw Amsterdam, from Hoboken to Plymouth, England, and David filmed Liza and friends in the Grand Place in Brussels, taking in the sun in Cannes and feeding pigeons in Paris. But what captured their grandson’s attention was the brief three minutes of their visit to Poland that momentarily but critically documented Jewish life circa 1938 in David’s hometown of Nasielsk.
Kurtz initially worked to restore the film and then began a four-year journey to find out about the town and the people in it. After donating it to the Steven Spielberg Film and Video Archive at the United States Holocaust Memorial Museum (USHMM), he discovered that his grandparents unwittingly provided history with the only surviving film of Nasielsk, whose Jewish inhabitants numbered 3,000 before the war but plunged to just 80 afterward.
Claire Barry, with her sister, Merna, on the cover of their 1961 album ‘Side by Side.’
Claire Barry, who crossed over from the world of Yiddish entertainment to global pop stardom as half of The Barry Sisters, died Monday in Aventura, Florida. She was 94.
At the height of their popularity in the 1950s and ‘60s, Claire and her sister Merna conquered television as regulars on the Ed Sullivan and Jack Paar shows.
Claire Barry’s last performance for an audience was in 2009. “I was there,” Corey Breier, a close friend of Barry’s and the longtime president of the Yiddish Artists and Friends Actors Club, told the Forward from his home in Aventura. “She was being honored by the Footlighters’ Club, which is Florida’s version of Friar’s club. She sang ‘My Yiddishe Mama.’ There wasn’t a dry eye in the house. It was the last time she sang publicly.”
Born in the Bronx to Yiddish-speaking immigrants from Kiev, Clara and Minnie Bagelman first performed as the Bagelman Sisters on a New York children’s Yiddish radio program in the 1930s.
Last year, a single promo clip — a total of 19 seconds in length — provoked a controversy over the content of the show it had been created to promote. What followed was a yearlong saga of politics, professional restructuring and grassroots marketing, as the show — an Israeli sketch comedy show called “HaYehudim Ba’im” (“The Jews Are Coming”) — languished in TV purgatory.
After the controversial promo launched online, Channel 1, the public station, had a problem. The show had already been produced, using taxpayer money; despite the controversy, it represented an investment of public funding that couldn’t be easily discarded. Channel 1 was undergoing restructuring, and the Knesset had to approve the network’s programming slate before it could air. With all these obstacles, it seemed that “The Jews Are Coming” show would never get to live up to its name.
The promo also provoked MK Ayelet Shaked (from the religious Habayit Hayehudi party) to speak out against “HaYehudim Ba’im,” pressuring Channel 1 to air a right-wing satire (a show called “Latma”) to balance it, show co-creator and writer Natalie Marcus recalls. “The presence of a satire can’t balance the presence of another satire; satire balances reality,” she said.
Imagine a world in which your car service is run by your worst Jewish mother stereotype nightmare…
…I’ll just pause for a moment so you can get over flashbacks of your own mom driving you to Hebrew school.
From the twisted minds at Elite Daily: “Schlep,” the Uber alternative run entirely by Long Island Jewish mothers. Hope you’re not in a hurry — drivers tend to be 15 minutes late.