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(JTA) — If you enjoy bagels or sport a big, fuzzy beard, you’re Jewish enough to enjoy the Toronto Jewish Film Festival.
The Tribeca Film Festival brings no shortage of Jewish topics this year, from Mel Brooks joking about the Holocaust, to an anti-Semitic Hungarian politician turned Orthodox Jew.
Moriah Films is a division of the Simon Wiesenthal Center, and is responsible for a dozen documentaries of Jewish interest. Filmmaker Richard Trank has been with Moriah from the beginning, a journey that included an Academy Award in 1997 for “The Long Way Home,” about Holocaust Survivors rebuilding their lives and the State of Israel.
Of all his productions, his latest, “The Prime Ministers: The Pioneers,” was probably the easiest. It seems all he had to do was point a couple of cameras and say “Action.”
When Kings Point in Delray Beach, Fla., opened in 1972, it wasn’t the Promised Land, though many thought it was close. For a $1,500 down payment, refugees from New York exchanged cold winters, drugs and crime for a gated community filled with their peers.
Every frame in Rachel Loube’s “Every Tuesday: A Portrait of the New Yorker Cartoonists,” now screening at the Boston Jewish Film Festival, together with “The Art of Spiegelman,” threatens to dissolve into cliché. There is the premise itself: Every Tuesday, New Yorker cartoonists, young and old, submit their work, and then go for lunch. It is a beautiful, invisible New York tradition, the kind that Gay Talese would have celebrated in luxurious prose, the kind that the media is intent on reminding us no longer exist. The restaurant is appropriately shabby. The food scenes are all set to jazz.