Posts Tagged: isaac bashevis singer Results 8
After a screening of “The Muses of Isaac Bashevis Singer,” I replied to a chutzpedik questioner: “Isaac never hit on me!” A frequent visitor in the 1930s to my parents’ Leszno 6 one-room home in Warsaw when I was toddler, I reconnected with him in New York in the 1960s when he and my father were both Forverts contributors.
Herman Broder is a gangly loser who’s won the biggest prize of all: his life. After surviving the Nazi onslaught in Poland by hiding in a haystack, he emigrates to America — specifically, Coney Island — with the gentile Polish woman who hid him, and who is now his wife. This is the setting of “Enemies: A Love Story,” a play performed for four nights last week by the Gesher Theater Company at the Frederick P. Rose Theater in New York.
In 1991,Yevgeny Arye, a prominent Moscow stage director as well as a member of the Russian Academy, decided to emigrate to Israel. When they heard his plans, about a dozen of his Jewish students decided to accompany him.
What 47th street is to New Yorkers, Hatton Garden, a street and area in the district of Holborn, has long been for Londoners a place to buy and sell jewelery. “Diamond Street: The Hidden World of Hatton Garden,” an anecdotally discursive, impressionistic history, was published by Hamish Hamilton. Its author, artist and writer Rachel Lichtenstein, was born in 1969 to a family of Polish Jewish origin. Lichtenstein is the daughter and granddaughter of jewelers, and her husband Adam currently manages the family shop. These close ties make for an unusually empathetic narrative, which might be expected from her previous books likewise inspired by London’s Jewish East End, “On Brick Lane”, also from Hamish Hamilton, and from Granta, “Rodinsky’s Room,” an homage to David Rodinsky, an ill-fated Jewish scholar.
Is there room for a klezmer musical on Broadway? I think so. The band for “Shlemiel the First,” led by the Folksbiene National Yiddish Theatre’s Zalmen Mlotek, is so good that during the exit music a sizeable portion of the audience drifted down toward the pit instead of up to the exits. Costumed as an Old Country klezmer band, they even march onstage sometimes, but it’s at intermission and afterward that they really wail. And that is terrific stuff, particularly Dmitri “Zisl” Slepovitch’s clarinet, Yaeko Miranda Elmaleh’s violin and Mlotek’s keyboard. Hoo boy, good.