Posts Tagged: New York Jewish Film Festival Results 18
In Quebec, the term “two solitudes” once described icy/cozy relations between the English and French. But in Maxime Giroux’s sublime “Felix and Meira,” which closes out this year’s New York Jewish Film Festival, the phrase seems apt for the Hasidim and hipsters of Montreal’s happening Mile End neighborhood, coexisting without actually engaging.
In “The Strange Case of Wilhelm Reich,” shown recently at the New York Jewish Film Festival, Austrian writer and director Antonin Svoboda presents us with a sobering but odd theatrical feature about the controversial analyst and sex philosopher Wilhelm Reich.
A tale of adult children discovering the romantic mysteries of their parents’ past hardly presents new thematic territory. These discoveries are made after death thanks to the documentary evidence a parent leaves behind: letters, photographs, school reports, and war-related transcripts. Don’t a son and daughter in a sleepy farming community discover their mother’s hot and heavy affair with a passing photographer in “Bridges of Madison County”?
Made as a film for the French-German television network, Arté, “The Jewish Cardinal,” screening January 20 at the New York Jewish Film Festival, nevertheless has the scope and sobriety of a feature film.
Diana Groó’s “poetic documentary” “Regina,” screening January 15 at the New York Jewish Film Festival, is constructed out of meager visual evidence. There is, after all, only one surviving photo of her subject, the Berlin-born Regina Jonas (1902-1944), who became the first ordained female rabbi. But if necessity is the mother of invention, then Groó’s method is to create a lyrical meditation on a life whose contours were barely known or remembered until the fall of the Berlin Wall in 1991. The subsequent reunification of Germany allowed a rush of researchers and scholars to fill in important historical lacunae from musty archives.