Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

The Nigun Project: The Magid of Koznitz’s Nigun

The Magid of Koznitz (1737–1814) was born under miraculous circumstances. His father, an old bookbinder, and his mother were impossibly impoverished villagers in the Ukraine. One Sabbath this pious couple was visited by a stroke of good fortune. The couple, already advanced in years, was so poor that they fasted much of the time, saving their few cents to buy food for the Sabbath. On one Friday, while her husband was out of the house, the wife discovered a hidden cache of silver buttons. Quickly, she sold them and bought all the preparations for a Sabbath feast unlike the couple had partaken of in ages. When her husband came home from synagogue after the onset of the Sabbath, he was overjoyed by what he saw. Three times during that meal the old man rose from the table and danced, his soul elevated by this sign of heavenly love that had fallen on his home.

Lockwood, left, with trumpeter Jordan McLean. Image by Shulamit Seidler-Feller

The day after the Sabbath, the couple was surprised to receive a visit from the Baal Shem Tov, the wonder-working Rabbi. The Baal Shem was well aware of the couple’s recent good fortune and told them that their joy in the Sabbath had opened up the highest gates of heaven. He told the old man he could have any wish he desired. The old man wished for a son, and just as had been done for the Patriarch Abraham, the couple was miraculously granted a child in their old age.

The Magid of Koznitz was an ascetic and a Kabbalistic scholar who was granted the great gift of visions of spirits. He said of himself that just as his father had been a bookbinder, binding holy words into books, it was his role to bind together this world and the supernal world of spirit.

In this arrangement of one of the Magid’s melodies, I worked together with drummer Amir Ziv and trumpeter Jordan McLean. For over a decade Ziv and McLean have together run a kaleidoscoping collective called Droid. Droid is a brilliant improvised music group that grew out of the drum-and-bass scene of the ’90s, but has far surpassed the creative potentials of that form. Over time, Droid has unfolded in the creation of a unique and genre-free music that is both cerebral and deeply physical. Ziv and McLean are currently launching their own record label, Sound Chemistry Records, which will serve as a platform for their musical explorations.

The piece of music we have created for the Nigun Project strikes me as being akin to a Samai, a form in Arabic classical music that alternates a statement of a melody over a slow rhythm with an improvisation over a dance rhythm.

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.

In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.

At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.

Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Only 300 more gifts needed by April 30

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.