Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Broadway Cast of ‘God Of Vengeance’ Arrested on Obscenity Charges

Editor’s Note; The following article about the arrest of the cast of “God of Vengeance” on obscenity charges has been translated from the Yiddish by Chana Pollack from the March 7, 1923 edition of the Forverts.

Responding to allegations yesterday that Sholem Asch’s drama “God Of Vengeance,” currently presented in English at the Apollo Theatre, is immoral, a grand jury released an official complaint against the actors and actresses performing in the drama as well as the theatre’s manager and owner.

In all, 16 individuals received complaints for performing “God Of Vengeance,” including acclaimed actor Rudolph Schildkraut, in the lead role, lawyer Harry Weinberger, the play’s manager, and one of the Selwyn brothers, owners of the Apollo Theatre.

Since the Sholem Asch drama began being performed in English, those dedicated to “defending morality” are in agreement that the play is immoral and have sought means to suppress it. Finally, they were able to convince the District Attorney’s office to investigate and file official complaints against the actors and actresses, as well as the management.

At 10:30 they must all appear before District Attorney O’Neil in his office, where it’s expected that warrants will be issued immediately to the accused, demanding they then appear before Judge Crane at the General Sessions Court.

The play’s manager, Mr. Weinberger, himself a well known lawyer, is certain he’ll win this fight against the religious fanatics on behalf of Sholem Asch’s drama. He believes “God of Vengeance” is not only not immoral, but that the play is an outstanding work of art. He referred to the opinion of leading opera singer Mary Garden, who stated that “God of Vengeance” is the most moral play on Broadway. As evidence that Asch’s drama is a work of art, the lawyer Weinberger offers the foreword that Ab Cahan, Editor of the Forverts wrote for the English edition of the work, available at the play’s performances at the Apollo Theater.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version