Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Life

Aly Goes for Gold on ‘Dancing With the Stars’

Dancing with the Stars loves their theme weeks, and this week didn’t escape unscathed. The contestants were asked to do dances that tied in with “The Best Year of My Life.” While that’s actually a pretty decent theme for a dance, the celebrities still have to work within the constraints of the show; if you’re assigned a super sexy dance but your Best Year is about, like, recovering from cancer or giving birth or something, you have to somehow make it work. Luckily, Aly and her partner Mark Ballas were assigned Contemporary for this week, and that style is pretty open and malleable.

Unsurprisingly, Aly chose 2012 as the best year of her life, because it’s the year that she won two freaking Olympic gold medals. “Aly was the underdog,” Ballas said to the camera. “No one thought she would place.” Their song is one that Aly picked: “Titanium” by David Guetta and Sia. The lyrics, which Aly says she listened to all the time when she was working out in the gym, are pretty standard pump-up fare: “I’m strong, and no matter what you do to me I won’t give up.” Contemporary dance, unlike a lot of other styles on this show, allows fancy lifts, so I expected to see quite a few of Aly’s signature gymnastics moves repurposed into this dance.

Overall, I think the dance worked nicely. The moves showed a lot of Aly’s frustrations and the hard work she put in. But there were a couple of confusing moments. What did a sexy burgundy dress have to do with being an Olympic gymnast? Why on earth did her partner need to be shirtless? The biggest applause, unsurprisingly, came when Aly did one of her tumbling moves toward the end of the number. Yes, it was pretty cool and surprisingly graceful within the context of the dance, but it does kind of feel like cheating when an Olympic-caliber athlete can just work some back flips into her dance while the other celebrities are there trying to figure out basic footwork. Ballas is often criticized for letting gimmicks lead the way in the dances he choreographs for his stars, and I definitely wondered if another dancer could have worked her tumbling in more seamlessly. There were some familiar faces in the audience cheering like crazy during that tumbling pass: fellow Fierce Five gymnasts Gabby Douglas and Kyla Ross.

And what did the judges think? Bruno Tonioli, predictably, made a “going for the gold” joke, but he felt like Aly’s intensity and performance had improved since the previous week. Carrie Ann Inaba agreed, pointing out that contemporary dance isn’t about having perfect technique, it’s about nailing the emotional connection — and Aly did just that. I’m still concerned about whether Aly can do well playing a character who isn’t herself, but this week should help bolster her spirits, considering she got 9s across the board and landed in first place for the week. That score kept her well out of elimination territory – instead it was “Real Housewives of Beverly Hills” star Lisa Vanderpump who got the boot.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version