Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
News

Theater Veterans Honored

Seniors in Japan who have practiced, enriched and husbanded their country’s national artistic forms are designated as National Treasures during their life span. Notwithstanding a lifetime of accomplishment, international renown, devoted fans and scrapbooks full of reviews, most Yiddish actors never hear the accolades heaped upon them post-mortem, in eulogies where all jealousy and acrimony are forgotten. For a brief moment from 1985 to 1987, the Goldy Awards — the Yiddish version of the Tony Awards — were established by the World Congress for Jewish Culture, under the direction of Joseph Landis. Then the honorees included Yiddish megastars Seymour Rexite, Miriam Kressyn, Dina Halpern, Henrietta Jacobson, Julius Adler and Leon Liebgold — who are all now gone.

Nothing like it has been mounted since then, until the World Congress’s recent “Veterans of the Yiddish Stage” benefit for Yiddish theater “treasures” Mina Bern (in the early 1940s, she performed Yiddish theater in Uganda!), Shifra Lerer (the first Argentine-born Yiddish actress, known as Argentina’s spitfire) and Vilna-born David Rogow — each one well into his or her 90s and still “onstage.” Held several weeks ago at the Lucille Lortel Theatre in New York City’s Greenwich Village, the program opened with greetings by World Congress co-president Barnett Zumoff (also president of the Forward Association) and was followed by presentations by Zalmen Mlotek (executive director of the National Yiddish Theatre-Folksbiene), Hy Wolfe (actor and director), Michael Baran (Yiddish educator and activist), plus the World Congress’s executive director, Shane Baker. There were rare archival black-and-white film scenes, excerpts from Yiddish film classics, and clips of Bern and Lerer from Hollywood films, including Woody Allen’s “Deconstructing Harry.” Performances by Wolfe, Eleanor Reissa, and California-based Mike Burstyn (who wowed the audience with his rendition of Aaron Lebedeff’s “Rumania, Rumania!”) rounded out the program.

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version