Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

A Starring Role for Efratia Gitai, Amos Gitai’s Mother

Israeli filmmaker Amos Gitai, who turned 60 this year, has been investigating his roots. Last year a Tel Aviv Museum exhibit honored his father, Bauhaus-trained architect Munio Weinraub.

Gitai’s 2009 film Carmel featured French actress Jeanne Moreau (star of a recent Gitai staging of a play inspired by Josephus’s “Jewish War”) reading authentic letters written by Efratia Gitai, the filmmaker’s late mother, about life in early Israel. On October 29, Jeanne Moreau read more of these letters onstage at Paris’s Théâtre de l’Odéon. Two weeks before, Les éditions Gallimard published “Efratia Gitai: Correspondence 1929-1994” edited by Gitai’s wife Rivka, illustrated by family photos which are rich in drama and narrative power, resembling film stills. Efratia writes:

If life is just a stage and a play, it’s good to perform as well as possible, alongside talented actors!

Small wonder Gitai became a filmmaker.

Efratia’s parents were married by Rav Kook in Jaffa. When Efratia, born in 1909, studied at Tel Aviv’s Herzliya Hebrew Gymnasium, diplomas were personally handed out by poet Hayim Nahman Bialik, and the school doctor was poet Shaul Tchernichovsky. In 1932, Efratia wrote a letter to politician Haim Arlozoroff offering him “thousands and thousands of kisses, if you so desire.” Three years later she married the architect Weinraub and settled in Haifa, which did not prevent some extra-marital peccadilloes (she sends one 1940s suitor poems by Bialik, Natan Alterman, and Yaakov Fishman).

This new Gallimard volume is a labor of love, not a professional editing project, as we realize when we find on page 129 the information that in 1940, “Théodore Roosevelt” was reelected President. Still, it transmits the dangers settlers faced (one child is born in 1940 on a kibbutz, to avoid Italian bombing raids on Haifa, while the war’s end in 1945 hardly gives time for celebration, given the looming war with Arab neighbors and carnage in Europe). A free spirit, Efratia dashes off to London in 1960, leaving ten-year-old Amos back on a kibbutz. Her letters are scant consolation for the boy:

[British] women are badly dressed, utterly tasteless, but they have lots of energy.

Yet Amos grew up to be the creative spirit the world knows, with some of his mother’s freewheeling sense of adventure. In 1967, soon after the Six Day War, Amos writes to her from London, reporting that hitchhiking in the UK is “very easy” if you display an Israeli flag; how times have changed.

Watch Amos Gitai at a film conference in Lyons, France, last year.

Watch a trailer for Gitai’s 2008 One Day You’ll Understand, starring Jeanne Moreau.

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version