Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Bayreuth Opera Drops Swastika-Tattooed Singer

It seems that if you want to play Wagner’s Dutchman on stage, a Nazi tattoo just ain’t gonna fly. Russian singer Evgeny Nikitin withdrew from the titular role of the famed German opera on Saturday after a July 20 television broadcast showcasing his hard-rocking past as drummer in a Russian metal band included a clear view of his tattooed torso — including a large swastika spanning the right of his chest.

Nikitin had originally told the German Aspekte TV program that his dermatological decoration was “just part of our underground culture.”

Unfortunately, the swastika is also a part of another culture, one that feels frustratingly intractable for the officials, artists and musicians of Bayreuth. The inked-up indicator of intolerance is the exact opposite kind of “brand identity” needed for operas burdened with the notorious anti-Semitism of its composer, Richard Wagner. Festival officials are understandably more eager to highlight the festival’s legions of fans who will wait years for tickets than its most infamous patron — Adolf Hitler.

After a half-hour meeting (and presumably a quick history lesson) with festival directors, Nikitin voluntarily gave up his role as the singing sea-captain in “The Flying Dutchman.” Official word from the production states that the decision “is in accord with the festival leadership’s absolute rejection of any form of National Socialist thinking” and that despite “immense artistic damage” to the show, the opera’s team is moving quickly to recover, with Korean bass-baritone Samuel Youn already set to take over for Nikitin.

In admitting the major mea culpa, Nikitin, who would have been the first Russian to perform a lead role at Bayreuth, shows himself needled by regrets familiar to many a tattoo-ee: “I had them done in my youth. It was a big mistake and I wish I’d never done it.”

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version