Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Miz Cracker Is The Fabulous Jewish Drag Queen We Need

Last Thursday, “RuPaul’s Drag Race” viewers found themselves sitting shiva for the untimely elimination of Miz Cracker.

Miz Cracker, otherwise known as Maxwell Heller, emerged as an early fan favorite, turning both looks and jokes at the drop of a hat. And she was unabashedly Jewish throughout her time on the show. Her catchphrase? “Shabbat Shablam.” Her weekly recap show is called “Review With A Jew.” At times, it seemed she mentioned her Judaism in every talking head segment.

America has certainly seen Jewish drag queens sashay across the Drag Race runway before — both season five winner Jinkx Monsoon and season nine winner Sasha Velour were loud and proud Jews. But Cracker’s embodiment of Judaism is groundbreaking.

The self-described “Jewish Barbie on Bath Salts” showcased a melancholy sense of humor throughout her time on the show, from uproarious moments as Dr. Dill, a pun-filled therapist who is also a pickle, to quieter moments ruminating on being brought up in poverty. Every joke had a dark side, and every vulnerable moment had a joke: what could possibly be more Jewish than that?

For Cracker, Judaism was never supplemental to her drag, but a driving force. One of the judge’s most frequent complaints about Cracker was her inability to get out of her own head, constantly constructing and analyzing her own narrative. Cracker, in discussing her “Review With a Jew” YouTube series, chalked this up to the inherently Jewish desire for analysis and deconstruction.

“I’m a Jew! We’re writers. We’re thinkers. We’re analyzers. I was writing the Rashi for Season 10, if that makes sense,” Cracker said in an interview with The Huffington Post. “There’s no way for a Jew to have an experience without analyzing, documenting and reading the subtext. That’s a proud part of my heritage that I brought to the situation. That’s why I called my show “Review with a Jew,” damn it. There’s a Jewish sensibility to looking at the world, which is to carefully think and go over and ask what things mean.”

She also spoke extensively about her experiences growing up in poverty as a child in Seattle, as well as her closeness with the women in her family. In them, and in herself, she saw the possibility for greatness and for the pursuit of justice. Cracker has been a passionate advocate for social justice, first getting into drag for marriage equality advocacy. She’s also a prolific writer, penning essays on everything from LGBTQ culture in Uganda to the intricacies of gender.

In Cracker, we saw a Jewish drag queen plagued by neuroses, a queen who was perhaps too thoughtful for her own good. But we also saw an immensely talented entertainer and thinker who saw defiance, rule breaking, and paradigm-bending as inherent to her identity. In her, we saw the Jewish experience as never before.

As drag skirts the line between underground and mainstream, there is perhaps a salient parallel to be drawn with that of American Judaism. Both cultural groups have been issued conditional acceptance, one that may be revoked by the systemic powers that be at any moment. For Cracker to not only exist, but to constantly push for more equity and revision in the world, is a powerful Jewish statement.

Suffice it to say, we’ll miss seeing Cracker as a vision in pink and glitter on our TV screens every Thursday. But her legacy has only just begun. As Cracker herself put it in an interview with Paper Magazine:

“I don’t know if I’ve mentioned this before, but I’m Jewish. Culturally, we have lost so much, there is nothing that we’ve been allowed to hold onto, form property to jobs to family to safety. As a people, our way of dealing with that is through laughter. When you see a Jew making jokes about the suffering of the past, that’s not because they’re choosing not to be vulnerable, they’re using humor to show you how they feel about something. Laughter is healing for us, and I think I carry on that tradition in the strongest way.”

Juliana Kaplan is a news intern at The Forward. Email her at kaplan@forward.com or follow her on Twitter, @julianamkaplan

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version