As Yiddish has had a renaissance, so, too, is Ladino having its moment. But we need to seize the opportunity before it is too late.
Any artist working in “World Music” (likely the vaguest genre for which Billboard tracks sales) has to determine the role traditional sounds play in their compositions. They hang suspended between the present and the past; too much fealty to the canon and the recordings become academic exercises in evoking a world long gone. Update your sound too much and you risk severing your connection to the folk vernacular entirely. After all, all music comes from somewhere in the world but no one calls Lady Gaga “World Music.”