John Garfield and Paul Newman could have been contenders in ‘On the Waterfront’
A new book on Elia Kazan’s 1954 classic suggests the film that might have been — without Brando
A new book on Elia Kazan’s 1954 classic suggests the film that might have been — without Brando
Shortly into “Listen to Me Marlon,” a fascinating new documentary about Marlon Brando spoken almost completely in his own voice, comes a startling glimpse of Brando’s life-changing plunge into the Jewish experience of the 20th century. Drawn largely from diaristic audio tapes he made, combined with a wide range of cinematic imagery, the ruminations start…
Elaine Stritch, who died on July 17 at 89, was as feisty off-stage as on— whether belting out the the ode to imbibing: “The Ladies Who Lunch” or the survival anthem “I’m Still Here!.” A presence at many a New York City bash, she was a participant in the November 17, 2003 “Stella By Starlight”…
Sidney Lumet, the acclaimed director more than 50 films, died April 9 in Manhattan at the age of 86. Best known for taut psychodramas such as “Serpico” (1973), “Dog Day Afternoon” (1975), “Network” (1976) and “The Verdict” (1982), Lumet’s work demonstrated an enduring interest in social realism and the difficulty of obtaining justice, a concern…
From the celebrated to the marginalized, from the heat of a summer antiwar protest to the searing cold of a Windy City winter, Chicago-based photographer Art Shay has been capturing unique, often strikingly ironic images for more than six decades. Thirty two of them, including pictures of John F. Kennedy, Bobby Kennedy, Saul Bellow, James…
Before Jack Abramoff was an American super-lobbyist, half-successful restaurateur, and convicted con man, he was a movie producer, known for bankrolling the 1989 Dolph Lundgren actioner “Red Scorpion” (part of Cold War cinema’s deconstructionist, though still violently anti-Soviet phase). It’s appropriate then, that George Hickenlooper’s Abramoff biopic, “Casino Jack,” which premiered last week at the…
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