Welcome to the Forward’s coverage of Jewish music, including klezmer and other traditions.
Welcome to the Forward’s coverage of Jewish music, including klezmer and other traditions.
Welcome to the Forward’s coverage of Jewish music, including klezmer and other traditions.
Welcome to the Forward’s coverage of Jewish music, including klezmer and other traditions.
On the Yiddish Song of the Week blog, Dmitri Slepovitch writes about “Ikh vel nit ganvenen” (“I Will Not Steal”), a song he recorded in his native Belarus: I recorded “Ikh vel nit ganvenen” (“I Will Not Steal”) in Mogilev, Belarus, from Sterna Gorodetskaya, born in 1946 into the only Jewish family that got reunited…
When Erez Safar started the Sephardic Music Festival in 2005, he was thinking about the future of Sephardic music. Having spent the last decade watching klezmer explode in popularity among artists like the avant-garde composer John Zorn and the Brooklyn punk band Golem, Safar realized klezmer was moving into a brave new future and was…
Crossposted from Haaretz For decades the music band Al-asheqeen has provided a soundtrack to life in the Palestinian territories; their songs are heard at weddings, funerals, and in daily living. The band, which was created in Damascus by Palestinians from refugee camps in Syria and Lebanon, has become a symbol of national heritage and a…
Crossposted From Under the Fig Tree I’ve been meaning for quite some time now to write about the Judaica Sound Archives, an online treasure trove of American Jewry’s musicological patrimony, but I couldn’t quite find the right note to strike. In the wake of the sudden and untimely passing of Debbie Friedman, whose musical contributions…
On the new record by the Israeli quintet Fogel and the Sheriffs, Jesus packs a gun, the Pope is a woman, and the Second Coming occurs in the bedroom. One song calls the Holocaust a “soiree”; another orders a Muslim woman to “put on a burka, baby” to hide her body, from her head to…
After listening to and viewing a rehearsal for the New York Philharmonic Orchestra’s presentation of “In Seven Days,” the 2008 concerto for piano and moving image by Thomas Adès and Tal Rosner being performed January 7 and 8 at Avery Fisher Hall, I was ready to become a creationist. Not that the piece works to…
Earlier this week, Michael Wex, author of “The Frumkiss Family Business,” wrote about writing about intermarriage and being the kvetch guy. His blog posts are being featured this week on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog series. For more information on the series, please visit: I…
On the Yiddish Song of the Week Blog, Forverts associate editor Itzik Gottesman writes about “Tunkl brent a fayer” (“A Fire Burns Dimly”), a song about an agune, a woman who was abandoned by her husband but cannot remarry: [Jacob (Yankev) Gorelik] sang “Tunkl brent a fayer” (“A Fire Burns Dimly”) in his apartment in…
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