Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Director Rachel Chavkin Brings Down House At The Tony’s With Call For Diversity

It’s time you learned the name Rachel Chavkin. She’s promising to have your back as you walk through hell.

On Sunday night, Chavkin nabbed the Tony Award for Best Director in a Musical for her work on Broadway’s “Hadestown.” The director, who previously received a nod for “Natasha, Pierre & the Great Comet of 1812,” was the only woman nominated for direction of a Broadway production this year, in a group of nine men. All of the men in Chavkin’s category were white.

Upon winning, Chavkin delivered a typically heartfelt speech about her experience directing ‘Hadestown.’ Then, apparently breaking away from her notes, she launched into an indictment of the theater establishment and a call for change.

“And that’s why I wish I wasn’t the only woman directing a musical on Broadway this season,” Chavkin said. “There are so many women who are ready to go. There are so many artists of color who are ready to go. And we need to see that racial diversity and that gender diversity reflected in our critical establishment, too,” she said, to shocked applause. “This is not a pipeline issue. It is a failure of imagination by a field whose job is to imagine the way the world could be.”

As Backstage writer Casey Mink noted, Chavkin is only the 10th woman in the 73 years of Tony Award history to win for direction, an especially notable disparity considering that there are two direction awards each year, one for plays and one for musicals. The daughter of two Jewish civil rights lawyers, Chavkin is only the fourth woman to ever win a Tony Award for Best Direction of a Musical. Her next project will be a musical version of “Moby Dick.”

As the characters in “Hadestown” sing: “You have to take the long way. Keep on walking, and don’t look back.”

Jenny Singer is the deputy life/features editor for the Forward. You can reach her at Singer@forward.com or on Twitter @jeanvaljenny

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version