Alexander Gelfand
By Alexander Gelfand
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Culture Two Albums Offer Gems of Gypsy Melodies
Before the advent of the European Union and its open borders, long before Germany had been invaded by the Turks and France by the North Africans, two groups vied for the distinction of being the most despised people in Europe: Gypsies and Jews. More often than not, the Gypsies — or Roma, as they prefer…
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Culture Klezmer via Kingston
The postcard-sized calendars strewn about the world music venue Satalla, on West 26th Street in New York City, proclaimed the band Klezska to be purveyors of “klezmer music,” which is a lot like calling turducken “stuffed turkey.” Neither description is entirely misleading. But like most labels, they hardly tell the whole story. Founded and led…
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Culture Tango: Not Jewish, But Not 100% Not Jewish
‘I’m not Jewish — but I’m not 100% not Jewish,” jokes innovative tango musician and sometime klezmer bassist Pablo Aslan. Much the same might be said of the tango itself. The origins of the tango aren’t entirely clear. Some believe that the dance form, born in the slums of Buenos Aires in the 1880s, derived…
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Culture ‘Chassidic’ Jazzman Strives for Authenticity
In music, as in any art, intention and biography can be tricky things. For example, should Richard Wagner’s antisemitism be considered when judging his work? Is it fair to take the composer’s controversial writings into account when evaluating his operas? And does the value of his art really depend on the kind of person he…
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