Eric A. Goldman
By Eric A. Goldman
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Culture The 10 essential films of the Yiddish renaissance
In 1950, the great actor, producer and Yiddish theater impresario Maurice Schwartz closed down his Yiddish Art Theater in New York. Demand for Yiddish theater had waned. That same year, what were believed to be the last Yiddish language feature movies to be made were released. They were Josef Berne’s “Catskill Honeymoon” and Joseph Seiden’s…
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Culture A tale of horrors joins a Yiddish film renaissance
It’s been a long time coming — a horror film set in a Hasidic section of Brooklyn, where much of the dialogue is in Yiddish. Films that deal with the supernatural are certainly no stranger to Jewish lore and culture. Since the advent of cinema, there have been several films made about dybbuks, demons and…
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Culture Hollywood’s Most Misunderstood and Forgotten Jewish Movie Returns
In the face of Adolf Hitler’s rise to power in Germany, film scholars have long debated about why American moviemakers assiduously avoided dealing with Nazism and anti-Semitism in their films. Some point to the fact that Hollywood studio heads wanted to avoid controversial film fare. Others note that these moguls, most of whom were Jewish,…
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Culture In Search of ‘Lies My Father Told Me’
Sometimes, a movie strikes us just right and we carry it with us through life. For me, it was a movie’s opening scene, with a horse-driven carriage making its way through the back alleyways of Montreal. Running after the wagon is a young boy looking for his grandfather, crying out “Zayde!” In the background, we…
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Yiddish לאָמיר פֿאַרגלײַכן צוויי רוסישע נוסחאָות פֿון באַשעוויסעס ראָמאַן „דער שאַרלאַטאַן“Comparing two Russian versions of Bashevis’s novel ‘The Charlatan’
איין איבערזעצונג קלינגט אויף רוסיש גאַנץ נאַטירלעך, און די צווייטע — נישט. וואָס טוט זיך דאָ?
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