Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Fast Forward

UCLA opens center for music of the ‘American Jewish experience’

LOS ANGELES (JTA) — UCLA has opened a center to explore the history of Jewish music in America with an eye toward breaking ground.

The Lowell Milken Center for Music of American Jewish Experience was backed by a $6.75 million endowment by the Milken Family Foundation.

The center, which opened last month, aims to “become a national leader in the exploration of Jewish music,” Milken told the Jewish Telegraphic Agency.

While a number of departments at American universities focus either on the academic study of music or prepare future performers, the center will be the first to combine both functions, said Marc Kligman, its director.

The Milken center is part of the university’s Herb Alpert School of Music.

Milken, a Jewish-American businessman and major philanthropist, had founded the Milken Archive of Jewish American Music. The archive holds more than 600 recordings, 200 oral histories and 50 albums documenting the Jewish contribution to American music, from the liturgical chants of Sephardic immigrants during the colonial era, through the hits of the Yiddish stage and to the jazz, blues and rock eras.

Milken’s father implanted in his son a lifelong affection for music, starting when the boy was 5 years old with a devotion to jazz. Unlike most of his young Jewish schoolmates, Milken said, he loved going to synagogue to listen to the cantorial chants.

So what is Jewish music?

Kligman says it “shows the vitality and vibrancy of Jewish life and represents a new way to explore American Jewry through its music.”

Notably, not included in the Milken archive’s definition of “Jewish music” are the many popular Christmas songs composed by Jewish talent, from Irving Berlin’s “I am Dreaming of a White Christmas” to Mel Torme’s “Chestnuts Roasting on an Open Fire.” Also absent from the “Jewish music” category are the compositions of George Gershwin, arguably the most popular Jewish-American composer, whose works are classified under “popular music.”

A message from our Publisher & CEO Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.