Master Harold and the Boys
This may be a case of who-can- remember-what-happened-in-January, but I can’t get out of my mind the play I saw just at Signature Theater, Athol Fugard’s “Master Harold… and the Boys.” I am an easy mark for all things South Africa, and yet: On a rainy afternoon in apartheid-era Port Elizabeth, the white son of the St. George’s Park Tea Room’s owners commits a scalding injustice against one of the family’s two black servants, who also staff the tea room. The play meanders for its first half, but then midway through, it snaps straight like the cruelest rod, and you can’t take your eyes off for the remainder. I think Fugard explains a bit more than necessary now and then, but his play left a visceral mark, especially considering the social and political climate in which we find ourselves now.
A message from our CEO & publisher Rachel Fishman Feddersen
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.
We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.
If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.
— Rachel Fishman Feddersen, Publisher and CEO