This piece is crossposted from The Best American Poetry, where poet Eve Grubin is guest blogging this week. Read Grubin’s previous posts here, here and here, and her poetry on The Arty Semite here. The speaker in Emily Dickinson’s poem, “A narrow fellow in the grass,” describes her response each time she meets a snake:…
This piece is crossposted from The Best American Poetry, where poet Eve Grubin is guest blogging this week. Read Grubin’s previous posts here and here, and her poetry on The Arty Semite here. If “Imagination is evidence of the Divine” then, as John Keats wrote in a letter, “What the imagination seizes as beauty must…
This piece is crossposted from The Best American Poetry, where poet Eve Grubin is guest blogging this week. Read Grubin’s previous post here and her poetry on The Arty Semite here. Yesterday I wrote that the biblical Eve lived in, as Goethe called it, “the poet’s trance.” But then the snake seduced her out of…
Crossposted from The Best American Poetry, where poet Eve Grubin is guest blogging this week. Read Grubin’s poetry on The Arty Semite here. Last week, C.K. Williams gave the annual Poetry Society lecture in London where he quoted Goethe who said (this is paraphrased — Williams said the words quickly, and I scribbled down what…
Each Thursday, The Arty Semite features excerpts and reviews of the best contemporary Jewish poetry. This week, Jake Marmer introduces two poems by Eve Grubin. “I am certain of nothing but the holiness,” writes Eve Grubin in one of the poems published in her 2005 debut collection “Morning Prayer.” Both uncertainty and holiness are key…
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