“Captain America is the absolute antithesis of Donald Trump,” Kirby said. He’s not the first to suggest it.
Lecture by Magnolia Pauker - ‘Why Mice, Why Comics, Why the Holocaust: What Comes Before the Question?’ March 12, 2013
Art Spiegelman just wants to be left alone. Or, rather, he would really like it if parts of his career and biography were minimized, and others celebrated more. The central tension, both in the long conversations he had with University of Chicago professor Hillary Chute, the germ and base level of “MetaMaus” (2011), and now in Clara Kuperberg and Joelle Oosterlinck’s new documentary, “The Art of Spiegleman,” is the anxiety of success. Spiegelman is painfully self-aware that he will be forever known (and, often, only known) for the path breaking Maus (1980-1991); fearful that he will become the “Elie Wiesel of comics”; and worries that he cannot seem to escape the autobiographical voice. Somehow, some way, his career turned from the one he imagined and he’s never been able to get the old one back.
‘MetaMaus’ reveals that Art Spiegelman’s original ‘Maus’ isn’t simply a Holocaust narrative. It’s a memoir of his father, a sort of ‘300-page yahrzeit candle.’
The book trailer is out for Art Spiegelman’s much-anticipated “MetaMaus,” a look at the creation of his iconic “Maus” graphic novel, now celebrating its 25th anniversary.
In this, the second annual Forward Fives selection, we celebrate the year’s cultural output with a series of deliberately eclectic choices in film, music, theater, exhibitions and books. Here we present five of the most important Jewish performances of 2010. Feel free to argue with and add to our selections in the comments.
When Tine Kindermann was a little girl, she thought all Americans liked to dress up as trees. Patrolling her city in West Germany after the Holocaust, camouflaged soldiers would wear leaves as part of their uniforms.
Fans of comic books and graphic novels are mourning the death of Harvey Pekar, who died today in his Cleveland home at the age of 70. Pekar was mainly known for authoring the autobiographical series “American Splendor,” which documented his lower-middle class Jewish upbringing in Ohio. Pekar also wrote “Our Cancer Year,” after being diagnosed with lymphatic cancer in 1990, and more recently, “The Beats,” a graphic history of the Beat generation.