It’s interesting to see that my previous post on Ayaan Hirsi Ali and the thorny issue of condemning women’s oppression in cultures other than our own sparked an insightful response from Sisterhood contributor Elana Sztokman.
The 19th century Dutch painter Meijer de Haan (1852-1895), whose life was cut short by tuberculosis, has been so overshadowed by his mentor Paul Gauguin that even New York’s MoMA, which owns Gauguin’s 1889 portrait of de Haan, misidentifies the sitter as “Jacob Meyer de Haan” (sic). More than merely getting de Haan’s name right, a landmark exhibit currently traveling through Europe, accompanied by a brilliantly produced catalogue from Éditions Hazan, reestablishes him as a considerable artistic force.