By Claudia B. Braude
‘Could Philip Roth erase the tattoo of the Nazi camps from under the skin of his characters?” Nobel laureate Nadine Gordimer rhetorically asks, illustrating her assertion that “none of us can… ‘choose our subjects’ free of the contexts that contain our lives, shape our thought, influence every aspect of our existence.”
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By Claudia B. Braude
This year, the first comprehensive collection of South African Nobel laureate Nadine Gordimer’s nonfiction works will be published. Consistent with a more pervasive silence of her generation, it is unlikely to include more than scant reference to her father’s Lithuanian background.
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