
Dan Epstein is the Forward’s contributing music critic. His books include Stars and Strikes: Baseball and America in the Bicentennial Summer of ’76.
Dan Epstein is the Forward’s contributing music critic. His books include Stars and Strikes: Baseball and America in the Bicentennial Summer of ’76.
Two guys from Brooklyn helped to launch Clive Davis and Arista Records into the stratosphere
For keyboardist Barry Goldberg, the legendary 1965 folk festival started out as a nightmare but ended up as a dream
For a time, Zal Yanovsky was an effective foil for John Sebastian, but it was not to last
Why the cab scene in 'Bye Bye Braverman' is still a riot
Ranking Mel Brooks' films from 11-to-1
‘Caught Between the Twisted Stars’ features artifacts from every phase of the artist’s career
A new Judd Apatow-directed documentary on HBO leads our critic to revisit an album he loved in sixth grade
I first met Herbie Mann in January 1979, when I noticed him bursting out of a phone booth in the parking lot of Tower Records in L.A. It wasn’t the noted jazz flutist in the flesh, of course, but rather the image of him on a six-foot-tall cover of his new album, “Super Mann,” which…
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