Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Make a Passover gift and support Jewish journalism. DONATE NOW
Fast Forward

France Set To Return Nazi-Looted Art

Ahead of the French premier of a Hollywood film on art looted by Nazi Germany, France has announced the restitution of three precious paintings.

The paintings are to be returned Tuesday, one day before the premiere in France of “The Monuments Men,” a film on Nazi-looted art starring George Clooney.

The conjunction of these two events is “an opportunity to remind people that Culture Minister Aurelie Filipetti is very attached to this gesture of remembrance,” France’s Culture Ministry told the French news agency AFP on Saturday.

“Portrait of a Woman,” an 18th-century painting, believed to be by Louis Tocque, will be returned to heirs of Berlin Jewish art dealers Rosa and Jakob Oppenheimer.

“Virgin with Child,” by Lippo Memmi or an associate, seized from banker Richard Soepkez in Cannes in 1944 and “Mountain Landscape” by Flemish 17th century master Joos de Momper, belonged to Baron Cassel van Doorn, a Belgian banker who had residences in France and whose property was confiscated in 1943 although he was not Jewish, AFP reported.

About 2,000 works whose owners have not been identified are being held in French museums.

“The Monuments Men,” whose cast includes Matt Damon, Cate Blanchett and French actor Jean Dujardin, tells the story of a group charged with finding and saving artworks and other culturally important items during World War II. It is based on a non-fiction book by Robert M. Edsel.

This is a moment of great uncertainty. Here’s what you can do about it.

We hope you appreciated this article. Before you go, we’d like to ask you to please support the Forward’s independent Jewish news this Passover. All donations are being matched by the Forward Board - up to $100,000.

This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.

With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give this Passover is invested in the future of the Forward — and telling the American Jewish story fully and fairly.

The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.

Support our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.