Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Make a matched gift and support Jewish journalism. DONATE NOW
Culture

Hollywood’s War on Hate

An exhibit at the New York campus of Hebrew Union College-Jewish Institute of Religion shows Hollywood movie posters from the Holocaust era. The posters, part of lawyer Ken Sutak’s personal collection, offer a glimpse into the Hollywood of the 1930s and ’40s, revealing how the film industry independently went to war against the Nazis starting in 1935 — six years before the United States.

Two of the largest studios, United Artists and Warner Bros., chose not to bow to German pressures to ban Jewish film employees and restrict the content. The American government also imposed sanctions on the industry under the guise of wishing to remain “neutral.” But Hollywood did not comply. Warner Bros., which was shaped by Jewish immigrants Harry Warner and his brothers, rejected the pressure to comply with the German government and instead chose to make pointedly anti-Nazi films. United Artists — run by Charlie Chaplin, among others — reorganized its distribution in Germany and retained its Jewish employees. And Chaplin would add a very personal touch in 1940 when he starred in “The Great Dictator,” a satire of Adolf Hitler and Nazism.

“Cinema Judaica: The War Years” runs through July 7.

This is a moment of great uncertainty. Here’s what you can do about it.

We hope you appreciated this article. Before you go, we’d like to ask you to please support the Forward’s independent Jewish news. All donations are still being matched by the Forward Board - up to $100,000 until April 24.

This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.

With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give is invested in the future of the Forward — and telling the American Jewish story fully and fairly.

The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.

Support our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.