Listen to This Poet. Really, Listen.
‘I was dreaming you on TV/ between fiction and news,” Hugh Seidman, winner of the 2004 Green Rose Prize, writes in his romantically infused sixth collection of poems, “Somebody Stand Up and Sing.” After reading his poetry, you might find yourself dreaming Seidman.
O Dream Dream Dream
I fasted not nor atoned
I made no tabernacle
on Tish’a Be’ab with
Solomon
Seidman —whose first collection of poems, “Collecting Evidence,” published in 1970, won the Yale Series of Younger Poets prize — offers a new collection that itself falls somewhere between fiction and news. The reader is led by the hand through five permutations of the 64-year-old poet’s own peripatetic, stargazing life reverie. It is sometimes confusing, often enlightening and always musical. The Brooklyn-born Seidman, who has lived in Manhattan’s Greenwich Village for the past 20 years, has marked the mutability of the poet’s personality in five discrete sections.
Part one is a colloquial conversation with the romantic spirit, and the reader finishes wet, drunk on wine and reeking of cigarettes. At camp: trapped Cassiopeia; belted Orion; Venus the false star, even then. Read this in the rain while listening to Chopin.
Part two is a disconnected liaison described by Seidman as a “white yacht on ‘fractaled’ ultramarine.” It could also be described as free jazz. This section is aggressive, but it is a respondent aggression, admiring a stand against oppression — even the oppression of convention. “I could not say I had quit the stoop,” Seidman writes. “Jew Ganz, my hero, wrestling bully Joey.” Read part two while listening to Ornette Coleman.
Part three is poetry akin to psychosexual fixations, and somehow very clever in the vein of Ozzy Osbourne rhyming “masses” with “masses” in the song “War Pigs.”
I mean: I would be dead
had not my grandparents
fled in 1906
Read part three while listening to Black Sabbath.
In part four, the reader gets the styling of a hip-hop video, where butt-shaking dance moves are as important as the lyricism, if not more important. It agglutinates. It’s catchy. It gets stuck in your craw. Read part four while listening to that song about how someone else’s “milkshake is better than yours.”
Part five is a return to romanticism; however, it has been filtered through the free jazz of part two, the Ozcratic irony of part three and the postage- stamped “singability” of part four. By the end of part five, the reader should be trying to sing his or her own composition.
Under God the sun
forgive the pun
shtik infects the
blood
though it’s
anyone’s fiction
According to poet David Ignatow, “Hugh Seidman is the American Poet whose work is closest to ‘Trilce’ by César Vallejo, the greatest of South American Poets.” Seidman’s work has appeared beside Allen Ginsberg, Michael Heller and Harvey Shapiro in “Not One of Them in Place: Modern Poetry and Jewish American Identity,” a book by poet, critic and Koret Jewish Book Award Finalist Norman Finkelstein. At the very end of “Somebody Stand Up and Sing,” the poet recalls, “Each atom of the body/from the start of the stars,” as if he were flipping through a personal, private collection of familial black-and-white photographs that could belong to anyone. From Ornette Coleman to Ozzy Osbourne, everything in this poet’s care is relevant, everything is important, everything is immortal.
Amen. Amen.
Nowhere to sit under
the Zion noon
before Nat’s grave
Dandelions.
small stones put on
the footstone,
for why one weeps or
not.
Thomas Wappat is a freelance writer who currently lives in Brooklyn.
A message from our CEO & publisher Rachel Fishman Feddersen
I hope you appreciated this article. Before you move on, I wanted to ask you to support the Forward’s award-winning journalism during our High Holiday Monthly Donor Drive.
If you’ve turned to the Forward in the past 12 months to better understand the world around you, we hope you will support us with a gift now. Your support has a direct impact, giving us the resources we need to report from Israel and around the U.S., across college campuses, and wherever there is news of importance to American Jews.
Make a monthly or one-time gift and support Jewish journalism throughout 5785. The first six months of your monthly gift will be matched for twice the investment in independent Jewish journalism.
— Rachel Fishman Feddersen, Publisher and CEO
