Katherine Janus Kahn, illustrator of ‘Sammy Spider’ Jewish children’s books, dies at 83
The watercolor collages were a trademark style for the artist who trained in Jerusalem
Katherine Janus Kahn, the illustrator of the Sammy Spider Jewish children’s books, speaks about her work in a 2013 video. Screenshot of YouTube
(JTA) — More than 30 years ago, a colorful little eight-legged spider named Sammy made his picture book debut and scurried into the homes of Jewish families across the country.
Sammy Spider and his mother live in a house with a young Jewish boy named Josh Shapiro and his family. Starting with “Sammy Spider’s First Hanukkah,” he romped through Jewish holidays, prayers and practices across more than two dozen books — all illustrated with bright watercolor collages that have made the books instantly recognizable to generations of Jewish children.
That was the work of Katherine Janus Kahn, who died Oct. 6 at age 83.
Janus Kahn, a fine artist also noted for her works on political justice and women’s issues, illustrated more than 50 books for Kar-Ben, a publishing house for Jewish children’s books that counts the “Sammy Spider” franchise as among its best-selling.
“We are heartbroken,” Kar-Ben said in a Facebook post, adding, “We are profoundly grateful for her legacy, and for the countless stories and memories she leaves behind.”
David Lerner is the CEO of Lerner Publishing Group, the parent company of Kar-Ben, the country’s largest publisher of Jewish children’s books.
“Katherine’s art and storytelling helped shape the landscape of Jewish children’s literature,” he said in an email. “Her books have been recognized with many national awards, honoring her creative vision and her lasting impact.”
Kar-Ben was a tiny company when it first connected with Janus Kahn in the early 1990s. She had drawn attention with her paper-cut illustrations for “The Family Haggadah,” which became a bestseller when it was published in 1987, and the publisher wanted to pair her with an author named Sylvia Rouss who had dreamed up a little spider with a big Jewish future.
“We liked her many styles and thought the collage work would be fun for Sammy’s Hanukkah,” Judye Groner, Kar-Ben’s founder, wrote in an email. “We had no idea that Sammy would become a children’s favorite character featured in over 20 books.”
In that first title, the curious little arachnid spies the young Josh celebrating Hanukkah, wishes he could warm his spider legs on the menorah and wants to spin the colorful dreidels that Josh gets every night.
“Silly Sammy. Spiders don’t light Hanukkah candles. Spiders spin webs,” his mother tells the disappointed Sammy. The catchy refrain repeats for Hanukkah’s eight nights when his mother gives Sammy eight spider socks spun with colorful dreidels, just like the ones Josh gets.
Over the next three decades, Sammy learned about empathy in “Sammy Spider’s First Mitzvah,” celebrated the entire Jewish holiday cycle from Rosh Hashanah to Shavuot and stowed away in Josh’s luggage in “Sammy Spider’s First Trip to Israel.” The most recent book, “Sammy Spider’s Big Book of Jewish Holidays,” came out this year and compiles many of the classic stories that are now widely distributed to Jewish families through PJ Library.
Janus Kahn’s art brought the characters sparkling to life, according to Heidi Rabinowitz, past president of the Association of Jewish Libraries and host of the Book of Life Podcast about Jewish children’s literature.
“Her rainbow-soaked collage artwork give the Sammy Spider books a huge advantage,” Rabinowitz wrote in an email. “They make Sammy and Mrs. Spider friendly and even beautiful, completely removing the ‘ick factor’ from their arachnid identity.”
For Janus Kahn, who studied art at Jerusalem’s Bezalel Academy after graduating from the University of Chicago, the work connected to her core identity. In a 2017 watercolor essay, she said her study at Bezalel came after she volunteered to support Israel during the Six-Day War in 1967 and headed to Israel, where she said “reconciliation felt possible,” even after the war’s end.
“My Judaism and my books are tied together so integrally that I don’t think I could ever untie them,” she said in a 2013 video with Rouss that showed her demonstrating her artistic techniques in her home studio.
Among her other titles was “The Hardest Word: A Yom Kippur Story,” published in 2001, the first in a series written by Jacqueline Jules about a Ziz, a large, magnificently colored Jewish mythological bird. Like Sammy Spider, the Ziz books struck a chord and are now part of the canon of Jewish children’s books.
“She was just so creative,” recalled Jules, who had multiple books illustrated by Janus Kahn. Their first book together, “Once Upon a Shabbos,” published by Kar-Ben in 1998, was about a bear who gets lost in Brooklyn just before the start of Shabbat. Jules was struck by how Janus Kahn’s illustrations added new texture to a story inspired by an Appalachian folktale.
She and Janus Kahn realized they lived near each other in the Washington, D.C., area. After meeting at an event for the book, they headed to a coffee shop for a two-hour conversation that launched a decades-long professional relationship and close friendship. They socialized together, along with Groner, who also lived nearby.
The two were paired up for the Ziz books, another series that has charmed generations of Jewish children. For those books, Janus Kahn created a fanciful creature using paints rather than collage.
“She borrowed different characteristics from a variety of birds. The legs were from a flamingo, the feet were from a rooster,” Jules said.
Now, the Ziz has taken on a life of its own, making appearances in synagogue plays and other programs based on the books. Just a few weeks ago, Jules saw a photo of someone who dressed up as the Ziz at a synagogue event for Yom Kippur, in keeping with the first book’s theme.
Janus-Kahn would often join Jules for a Ziz storytelling at Jewish venues, bringing a feltboard to embellish the Ziz props and a hand-made Ziz puppet that Jules used. At one memorable event, at the National Museum of Women in the Arts, Janus Kahn arrived with two colorful feather boas, Jules recalled.
“She made the Ziz come alive,” she said.
With Janus Kahn’s death, Jules, Groner and Rouss not only lost the gifted master illustrator for their books. They have also lost a treasured friend of many decades.
“Kathy was a gift and our friendship was a gift,” Jules said.
Janus Kahn is survived by her husband, David Kahn, and a son, Robert.
