Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
There's no paywall here. Your support makes our work possible.DONATE NOW
Fast Forward

South Africa pulls out of Venice Biennale — because its selected artist wanted to focus on Gaza

South Africa’s culture minister called the selected artist’s work ‘highly divisive’

(JTA) — South Africa will not participate in this year’s Venice Biennale following a dispute between its culture ministry and the artist it had selected, whose planned installation focused on Gaza.

Gabrielle Goliath, a South African artist selected to represent the country at the international culture exhibition, had planned to showcase a performance piece titled “Elegy” that would include a memorial for the Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023.

Goliath’s selection to represent South Africa at the biennale by Art Periodic, a nonprofit that was running the pavilion on behalf of the country, quickly drew the scorn of Gayton McKenzie, the South African culture minister, who called her work “highly divisive.”

While South Africa has long been among the most vocal critics of Israel, and diplomatic ties between the countries have frayed over the course of the war in Gaza, McKenzie has stood out for his staunch support of the Jewish state.

In January, McKenzie terminated the agreement with Art Periodic, writing in a letter that he would instead feature art in Venice that gave “a positive message” about South Africa, according to the New York Times.

In a January Facebook post, McKenzie claimed that an unnamed “foreign country” had endeavored to fund the South African installation at the Biennale, adding that it had been alleged that “South Africa’s platform was being used as a proxy by a foreign power to endorse a geopolitical message about the actions of Israel in Gaza.”

He continued, “South Africa’s position on Israel and Gaza is clear. Maybe this country’s position should also be stated clearly – by them, and not indirectly through another country’s platforms.”

Following the announcement, Goliath filed a lawsuit against McKenzie seeking to be reinstated as the country’s artist. The lawsuit was dismissed on Tuesday.

“We believe this ruling sets a dangerous precedent, jeopardizing the rights of artists, curators, and creatives in South Africa to freedom of expression—freedom to dissent,” Goliath and her legal council said in a statement. “It goes without saying that we will be contesting this ruling through an appeal.”

The ministry had initially tried to find a replacement for Goliath but announced on Friday that it will not have an installation in Venice this year.

South Africa’s decision is not the first time the Venice Biennale has courted controversy over the Israeli-Palestinian conflict. In 2024, Israel’s representative at the exhibition shut down her exhibit to call for a ceasefire in Gaza and the release of hostages.

This year, Israel is slated to potentially return to the biennale, though its inclusion has been met with boycott calls from the pro-Palestinian group Art Not Genocide Alliance.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.