Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Make a Passover gift and support Jewish journalism. DONATE NOW
News

William Steig’s Fountain of Youth

William Steig (1907-2003) worked at The New Yorker for 73 years, and in that time the magazine published more than 120 of his covers and 1,600 of his drawings — not bad for the son of Eastern European Jewish immigrants.

Born in Brooklyn and raised in the Bronx, Steig had been known to say that he felt he never really grew up; many of his works were connected to childhood. His intimate cartoons often featured street kids, and with humor and sadness he examined various aspects of the human condition — love, loneliness, wealth, poverty, the class divide.

Steig also enjoyed success as a writer and illustrator of such children’s books as “Sylvester and the Magic Pebble” (1969), “Doctor De Soto” (1982) and “Shrek!” (1990) (meaning “fear” in Yiddish), which was the inspiration for the 2001 Academy Award-winning film and its sequels. In honor of the centennial of Steig’s birth, The Jewish Museum presents From The New Yorker to Shrek: The Art of William Steig, the first major exhibition of the artist’s work. Some 190 drawings, many of which have never been publicly displayed, are included in the show.

The Jewish Museum, 1109 Fifth Ave. (at 92nd St.); Nov. 4-March 16 2008; Sat.-Wed., 11 a.m.-5:45 p.m.; Thu., 11 a.m.-8 p.m.; $12 adults, $10 seniors, $7.50 students, children under 12 free. (212-423-3200 or www.thejewishmuseum.org)

This is a moment of great uncertainty. Here’s what you can do about it.

We hope you appreciated this article. Before you go, we’d like to ask you to please support the Forward’s independent Jewish news this Passover. All donations are being matched by the Forward Board - up to $100,000.

This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.

With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give this Passover is invested in the future of the Forward — and telling the American Jewish story fully and fairly.

The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.

Support our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.