The Enterprise of Walking Naked
What are we to make of the long descriptions of the High Priest’s ceremonial garments in this week’s portion? The garments include a breastplate, a robe, a fringed tunic, a headdress and a sash and an ephod, or long tunic, and each is described in detail. The robe, for example, is to have embroidered pomegranates “of blue, purple and crimson yarns, all around the hem, with bells of gold between them all around” (Exodus 28:33). These “holy garments” are to be worn “for dignity and adornment.”
George Herbert (1593-1633) has written a poem, “Aaron,” which is based on the High Priest’s headdress, breastplate and robe:
Herbert immediately applies all this to himself in an anguish of introspective comparison:
And this, to come back to my opening question, is one way of making use of the descriptions in Exodus 28. But it’s a bit of a stretch, and probably was a stretch even for an Anglican priest of the early 17th century like George Herbert. The descriptions of the High Priest’s garments prompted quite different thoughts in myself.
One of the central impulses of the last century or two has been to strip away human pretensions. Our entire planet is an almost infinitely small part of the known universe; we not only evolved from the primordial slime but our DNA turns out to be not very different to that of an earthworm and virtually identical to that of a chimpanzee; our leaders are not all-knowing and wise and the few kings and queens and princes and princesses left for our contemplation now rarely bother to dress up in royal costumes. The intellectual and social developments that led to this state of affairs make it difficult for us to be in awe of, or even attribute a special dignity to, a person in office, let alone in robes of office.
The felt necessity of these developments, and the concomitant loss, was one of the problems that preoccupied William Butler Yeats. In an early collection of his poetry, published in 1893, Yeats, talking of the old Irish heroes and heroines and fairies and other ancient folk, says,
But not too long into the dim coming times of the new century, even before the First World War, Yeats was informing his readers that although he had previously “made my song a coat/ Covered with old embroideries” he was now casting it off,
In spite of this resolve, however, Yeats tells us in his last collection of poems that
Why couldn’t he shake this absorption with artifact and show? He gives the best answer in an early poem, “The Mask.” When the subsidiary speaker in the poem asks the protagonist to take off his mask, this is the response:
And the subsequent request to see what is behind the mask for the sake of the truth, gets this response:
The robes of the High Priest engaged the minds of those who watched him perform his functions, and helped keep the fire of their awe and belief burning in them. Ancient Israel was not dedicated to the proposition that there’s more enterprise in walking naked, and its beliefs had hems embroidered with blue, purple and crimson pomegranates and hung with golden bells. But we, who live in the dim times that have come, have to believe whatever we believe without the support of embroidery.
David Curzon is a contributing editor of the Forward.
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.
In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.
At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.
Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
Only 300 more gifts needed by April 30