This Hanukkah, my synagogue is illuminating our walls with relics of our Jewish immigrant stories
Houses of worship should uplift immigrant narratives when they are under attack, writes a longtime Jewish leader

An exhibition launching in December 2025 at the Society for the Advancement of Judaism in New York City celebrates congregants’ family immigration stories. Courtesy of SAJ
(JTA) — Outside of the social hall on the second floor of my synagogue, the historic Society for the Advancement of Judaism on West 86th Street in Manhattan, a modest yet elegant new exhibition adorns the wall. Fitted within vintage frames are the figures and faces of people from long-ago and far-away places; each portrait a story, brimming with unique details.
But these are no generic photos in the public domain, this is no faux vintage display. Instead, the photos are family portraits belonging to members of my congregation, the result of our year-long project, “How We Got Here: Honoring Our Immigrant Forebears.” The gathering of these photos — only a small fraction of which were collected and will be published in a beautiful limited edition volume — was an ambitious undertaking, a project that took over a year and required the involvement of a professional staff and curator.
As I prepare for the grand opening of this exhibition on the fourth night of Hanukkah, the Jewish Festival of Lights, I have a message for New York’s clergy and houses of worship: If you want to truly illuminate your sanctuaries, making them vibrant, alive and meaningful, begin by honoring your congregation’s immigrant past with a tangible photo and story project. What better way is there to remind our congregations, the people of our city, to be there for today’s next generation of immigrants?
St. Patrick’s Cathedral did just this in a colorful and glorious manner, commissioning its largest-ever artwork that pays homage to New York City’s immigrant past. The vivid panels of the work by Adam Cvijanovic focus on the arrival of Irish immigrants in the 19th century and the contributions they have made to this city, juxtaposing their stories with those of more contemporary and diverse immigrant groups. Every day of the week, visitors to the cathedral come face to face with this very human aspect of its history, previously uncelebrated. Cvijanovic’s murals enhance the meaning of a house of worship.
For our synagogue’s project, we hired Rachael Cerrotti, an award-winning author, podcaster, educator, and curator who works with family history, inherited memory and personal archives. She was able to guide us in our quest for material objects and stories. She and her husband, T.J. Kirkpatrick, designed our exhibition and our commemorative book.
Rachael elevated our pursuit from the provincial to the global, inspiring us to see that our best path forward begins by stepping into our recent past. As we remember and celebrate how we got here we become more empathic to those making similar journeys today.
To celebrate, we will be hosting a party with traditional Hanukkah treats and live music and inviting guests to share their own family immigrant stories with us.
But why undertake such a project in a house of worship? Why not a school, a community center or simply in the privacy of one’s home?
Because houses of worship are places that have staff with community-building skills; it is in the DNA of churches, mosques, synagogues and temples to welcome worshippers, making them feel like they are part of a whole. This study of our backgrounds, of the stories we share as immigrants to New York, is part of our creating those bonds.
What better place to encourage people to learn and share their own immigrant history, digging out the details of who came when, from where and why? While being “in the moment” is a value we cherish, it is also important to remember that we all come from somewhere, that we did not spring forward from Amsterdam Avenue, Orchard Street or East 72nd Street; that our ancestors are part of our story and inform who we are today.
We know that the surest way to cultivate security in children is to make sure they have solid roots. So too with a house of worship. When everyone in a congregation undertakes their own “roots” research, then the community itself becomes firmly planted, with stories blossoming like ripe and delicious fruit.
There is more: knowing our own stories and the stories of our worship community reminds us of immigrant struggle and helps us understand that the people arriving today have similar stories and the same needs. Regardless of propaganda, they are not immigrants of lesser worthiness. Our ancestors likely faced similar prejudices, bias and suspicion.
Making the decision to help today’s immigrants is a blessing precisely because they are our grandmothers and grandfathers. They are our parents. They are us.
In a political social climate that is hostile to newly-arrived Americans, it is critical for us to do this work publicly, to share it on our walls and tell our stories to the next generations.
Finally, knowing where we came from, meeting our parents, grandparents and far-distant relatives who arrived on the shores of this country yearning to breathe free infuses us with pride and with true patriotism.
It restores us to the authentic meaning of what it means to love our country, a nation built on the promise of being a place of refuge for all peoples.
Shira Dicker contributed to this essay.
The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.